The rock of the ’70s was undoubtedly a style that completely changed the way of making and listening to music forever, the massive arrival of electric instruments, as well as rock pedals that modified their sounds through analog components, meant something completely innovative.

It is not surprising that today that long-awaited sound is revived thanks to today’s resources, and that a guitar effects pedal that was previously inaccessible, now costs as little as a couple of bucks in a computer software version.

The point is that the essential guitar pedals for rock in its traditional form are not an unknown topic, but if you want to learn a bit about it then this will be the place.

What is the best pedal for rock?

If you know how guitar pedals work then this list will be short and to the point. At the time there were hardly any differences between fuzz and overdrive, the performers we know today as legends were in their debut moment, and therefore, variety was not something that characterized the few brands that made effects back then.

There is no better pedal, it will only depend on the characteristics of the player and what he can do with his instrument. Among the most emblematic rock pedals of the time, the following stand out:

  • Ibanez Tube Screamer
  • Pro Co Rat
  • Boss Metal Zone (MT-2)
  • Boss Distortion (DS-1)
  • Fulltone OCD
  • Klon Centaur
  • Electro-Harmonix Big Muff
  • Dallas Rangemaster Treble Booster
  • Dallas Arbiter Fuzz Face
  • Roger Mayer Octavia

This list is a bit longer, but this selection alone was the most popular of the decade for styles in and out of rock, both for price and fidelity.

What is the difference between distortion and overdrive?

The overdrive effect on guitars is vital in rock, as warm sound, sustain, and definition are things a guitar alone can’t achieve. While overdrive offers a considerable gain boost over fuzz, distortion is above both in that respect.

This effect is more visible in a multi-effects guitar pedal, where the saturation is cut from the signal and the sound takes on a very compact shape. Overdrive, on the other hand, guarantees a more natural way of sounding that maintains its character and punch even before it reaches the amp, and for this reason, it is more suitable for rock.

In any of the commercial presentations (analog or digital), the classic distortions remain very true to their time, not to mention more accessible. Beginners will be happy to know that they won’t have a problem with that, and can discover their own style by considering the traditional rock pedal of their idols.

What guitarists use pedals to rock?

The list is huge, it would be better to consider those who do not use this effect on their pedalboards, but to mention some important players who have successfully implemented the pedal for rock in their styles and techniques:

  • Rory Gallagher
  • Tony Iommi
  • Ritchie Blackmore
  • Brian May
  • Marc Bolan
  • Steve Vai
  • Joe Satriani
  • Kurt Cobain
  • Jimi Hendrix
  • George Harrison
  • Pete Townshend

The overdrive pedal is an indispensable resource in playing the instrument today, which is why the rock pedal abounds on the market, being found in all kinds of ranges and with all kinds of coloraturas to adapt to modern styles and guitarists. It is also possible to find this effect for basses and in some cases, for voices.

This is all for now, but we have much more, we have other posts with useful information so you can improve the tone of your instrument. In our stock, you will have accessories, effects, and equipment. We are Vntagetone, for a modern age.

Rock Stock Pedals Dark Horse Fuzz Guitar Effects Pedal Demo

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